Digital and handmade: 3D printing with clay
Ceramics is an art of form and fire – it invites you to touch, to marvel, to remember. For thousands of years, ceramics has accompanied humankind: as a vessel, as a ritual object, as an expression of shared worldviews. With Seremik, I bring this culture into the present – into a time when the individual wants to stand above the community. But each of my objects reminds us that design is a collective act: of people, clay, and machines.
Designing in dialogue with the machine
Since the founding of Seremik, my goal has been to use digital tools in such a way that they do not overshadow the searching, feeling, thinking process of creating, but rather expand it. This idea is exemplified in the 3D printing with clay, where a hand drawing is transformed into a digital model and the technology becomes visible in the layer-by-layer construction of the ceramic, which is then reworked by hand, appropriated by the human. Each object is thus created in a back-and-forth between hand, software, and ceramic logic – with pauses, detours, and decisions that are not driven by efficiency, but by attention.
Less things, more substance
Seremik stands for conscious selection: fewer objects, but instead unique pieces, limited editions, and collectibles with character, clear vision, feeling hands, and breathing materials. From this reduction, diversity emerges – and perhaps a glimpse of what a different, human-rich, cooperative future might look like.
Workshops + Events
Seremik is a place where the imprecise, the temporary, and the accidental also have a home. In our workshops and events, we try to shed our perfect notions of useful objects, to escape the flawless surfaces of screens and plastics, and to create something unusual and beautiful in the dust of the workshop.